A video production budget depends mostly on three things: the amount of upfront preparation, the complexity of the shoot, and the number of deliverables expected. It is hard to give a single figure without knowing them.
What weighs the most is not the shoot itself but everything around it: the time spent framing the message, location scouting, coordinating contributors, and editing. A half-day shoot can easily represent two to three times as much preparation and post-production time.
The number of formats matters too. A single main film costs less than a film with five social media cut-downs, even if the shoot is identical. Thinking about formats from the design stage avoids paying twice for the same footage.
Finally, the production level should match the real use of the film. An internal video shown in a meeting does not need the same budget as a brand film for an advertising campaign. The right production level is the one that serves the message, not the one that impresses the most.
The best way to get a reliable figure is still to talk through the specific context of the project: objective, audience, constraints and desired formats.
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